Songs, music and dance performed during Homowo. Bonku (2003) describes kpashimo songs as an occasion when the community may openly voice grievances about the past year, arguing that beneath a seemingly obscene surface they carry social messages. Marley (2019) treats kpa shimo as the music and dance of La (and Teshie) and a medium of social protest.
During Homowo, singers used kpashimo songs to criticise wrongdoing in the town.